cabaret // folk pop // singer-songwriter If you think that April Smith and the Great Picture Show sounds like the name of some 1930s vaudeville act — well, you wouldn’t be so far off. The upbeat and retro stylings of April Smith and her band bring to mind cabaret acts, jazz, and swing with an indie twist. As we saw at SXSW, there’s a swagger to her live set as well as the band’s recordings. April’s brassy vocals are well matched by the myriad of instruments backing her, including piano, upright bass, horns, accordion, drums, guitar and even a ukulele. Her album, Songs For A Sinking Ship, was a true-blue grassroots effort, financed by her fans on Kickstarter.com and the result is stunning, quirky and lively. This is burlesque with a swagger… and a heart. Take a listen to “Colors” and “Movie Loves A Screen” below and just try to refrain from clapping along. Boisterous indie pop meets swingin’ cabaret. April Smith and the Great Picture Show - Colors April Smith and the Great Picture Show - Movie Loves A Screen + Purchase/Visit

indie pop // singer-songwriter Singer-songwriter Laura Jansen has popped up a few times on Aurgasm before: once last year on the Jason Kanakis track “Anything,” and most recently when we covered her set at SXSW last month. It’s about time for a proper introduction. Laura’s unique indie piano-pop is exceptionally lovely, and manages to showcase her incredible songwriting and ethereal vocals at the same time. She skillfully combines rich instrumentation and sweet melody, with gorgeous results. The songs on her latest EP, Single Girls, run the gamut from playful to reflective and wistful, but they all manage an expressive eloquence that is mesmerizing. Take a listen to “The End” and “Single Girls” from Single Girls and see for yourself. Eloquent and sweet piano-driven indie pop. Laura Jansen - The End Laura Jansen - Single Girls + Purchase/Visit

singer-songwriter // folk pop Sydney Wayser possesses an ear for melody and talent for songwriting that results in a collection of intimate and playful tunes. The half-French, half-American songwriter grew up in Los Angeles with frequent trips to Paris (and is now based in New York). This worldly charm is heard throughout her music, whether it’s the Southern-inspired “Banjo Bayou” or the dreamy allure of “Bells”. Though the majority of her sophomore album, The Colorful, was recorded on children’s toys and piano, there is nothing childish about it. Wayser’s alluring vocals and her unique instrumentals combine to rapturous effect. The Colorful wanders between light-hearted fun and poignant melody with ease. Charming instrumentals and smoky vocals. Sydney Wayser - Bells Sydney Wayser - Banjo Bayou + Purchase/Visit

folk-pop // acoustic Israeli-born New York-based Rosi Golan’s debut album The Drifter & The Gypsy (2008) is 11 vibrant and neatly-crafted folk songs. Mostly accompanied by acoustic guitars as well as drums, bass, piano, banjo and mandolin, the album sways between folky tunes and mellow ballads. “Follow The Arrow” (not featured on the album) is probably the most uplifting, up-tempo and contagiously melodic track from Rosi’s repertoire. Another highlight (taken from the album this time) is the clever folk-driven “I Don’t Wanna Wait”, delivering catchy chorus with such a charming simplicity. The Drifter & The Gypsy will appeal to these who enjoy the tiny bit whimsical sounds of such artists as Ingrid Michaelson as well as the lovely songwriting of Lucy Schwartz. Bright and light-hearted melodies. Rosi Golan - Follow The Arrow Rosi Golan - I Don’t Wanna Wait

folk-pop // acoustic Some of you might be familiar with Marit Larsen as a former member of Norwegian teenage duo M2M, known for their hit “Don’t Say You Love Me” (1999). Following the duo’s break up Marit has shifted from the sugary sweet pop to a subtler and more mature kind of songwriting. Her second solo effort, The Chase (2008), is all about the rich yet unpretentious arrangements and memorable melodies. Featured below, “Steal My Heart” is one of Marit’s slow paced numbers and a great example of her orchestral pop crafting. The song evolves around the gorgeous strings and overall delicate instrumentation that carries Marit’s soft vocals. Sweet melody to melt your heart. Marit Larsen - Steal My Heart

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singer-songwriter // indie folk // holiday

swedish pop // singer-songwriter Laleh’s album, Me and Simon (2009), shines with pure pop energy and good fun. There are no experimental edges for avant pop lovers, yet there are enough memorable melodies and clever hooks to keep your attention. Iranian-Swedish artist Laleh crafts vibrant pop songs, sweet lullabies and ballads, sung mostly in English with the occasional French and Persian (not to be confused with Arabic) ear candy. Laleh’s stand-out track and my personal favourite is “Simon Says”. With its lovely arrangements, subtle multi-layered vocals and playful lyrics, this one you will carry and hum for the rest of the day. Strong melody and a somewhat naive quirkiness. Laleh - Simon Says

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brazilian // world Having lived and performed in Brazil, Chile, Peru, Portugal and France, Bïa is truly a world artist. Musically active for over a decade yet relatively unknown, Bïa released her solid and versatile studio work Nocturno in 2008. Largely acoustic and soothing, it’s an ideal summer album. Nocturno combines gentle Bossa and Samba beats, Portuguese Fado influences with a distinct saudade quality, and delicate touches of jazz, rock, and klezmer music. Mellow, summery blend of bossa and jazz. Bïa - Caminhar + Purchase/Visit

chanson française // folk pop

folk // singer-songwriter Some of you might have seen Allie Moss performing with the lovely Ingrid Michaelson. Her debut EP Passerby (2009) reveals Allie to be a strong and promising singer-songwriter on her own. The extremely captivating “Corner” displays Allie’s songwriting skills as well as her sweet vocals and clever phrasing, setting the tone for the rest of her EP. From bittersweet to soft and melancholic, Passerby is a solid and well-crafted collection of folk-pop songs.

Gorgeous melody carried by pitter-patter production. Allie Moss - Corner + Purchase/Visit

electro-funk // grimey synthpop Maneuvering brainwaves routed by intricately synthesized polymers of Moloko and Phon°noir familiarity, Frances Noon and Lazlo Legezar have materialized an undulating ecstasy that voyages vital force and bites at your feet. His surreal chorus of extravagant noises deploys a fulgent realm for her iridescent vocals; fluently shifting between sinister and saccharine to timid and giddy. As their motley, crystalline wisped sounds are consumed, a subterranean purlieu emerges. In a carnival’s bygone mystique of bright lights and smiles since ceded to a hitchcock bale, are mad hatters absconding to unite with strawberry shortcakes, rampantly dissolving the absurd, unwanted, depreciating rationalities that impersonate rainbows and he-man transgressions of societal laste. Where We Are threshes trip-hop’s quintessence into dizzying bits and pieces then coalesces to form a twisted treat of enigmatic, aural candy.

Trip-Hop in the age of Twitter. My Toys Like Me - Superpowers My Toys Like Me - Bats + Purchase / Visit

indie pop // singer-songwriter Lucy Schwartz, whose songs range between stripped-down ballads, jazz-inspired pop and indie folk, is that rare combination of talented songwriter and skilled performer. Lucy’s debut album, Winter in June (2007) offers a glimpse of this young singer-songwriter’s burgeoning talents. The delightfully catchy “I Don’t Know A Thing” is a shockingly self-aware admittance, delivered with a carefree shrug and smile. Lucy continues to surprise, displaying raw vulnerability as well as youthful exuberance in her songs. “Gone Away” is a tender and aching ballad, delicately crafted with a sensibility that belies her young age. Keep an eye (and ear) on this one. [Editor's note] These mp3s will only be offered as a free download for 2 weeks. After that, they will remain stream-only. -Michelle Sweet and lovely pop gems. Lucy Schwartz - I Don’t Know A Thing Lucy Schwartz - Gone Away + Purchase/Visit

indie pop // chanson québécoise Among the girl-boy indie-pop acts, Tricot Machine, a Montréal-based duo barely known outside Quebec, is worth the wider recognition for their memorable melodies, soft vocals, dynamic compositions and witty lyrics. Throughout their album Tricot Machine’s Catherine Leduc and Matthieu Beaumont tell stories of ordinary life, childhood memories, the animals of the forest as in their song “L’ours” (The Bear) — be sure to check the video. Equally fun “Pas Fait En Chocolate” carries gentle arrangements of keyboard and catchy vocal lines. Playful, unassuming merriment. Tricot Machine - L’ours Tricot Machine - Pas Fait En Chocolat + Purchase/Visit

indie-pop // experimental Josh Ottum, a Seattle-based musician and songwriter, has been making his tiny-bedroom-music for 4 years before composing his debut album Like The Season (2007). To put it in his own words, Like The Season is a twelve song journey into the hallways, bedrooms, dining rooms and garages of popular music. Josh’s “The Easy Way Out” evolves from sweet, coherent and easy-on-the-ears harmonies to a rhythmically driven complex production. With layered arrangements of multiple drums, repetitive piano, catchy horn lines and quirky phrasing Josh builds “The Easy Way Out” to a charmingly dynamic indie-pop song. [Editor's note] Hey, any Aurgasm readers in Seattle? Please leave a comment so I can ask you about your city. -Julija Whimsical songwriting, complex instrumentation. Josh Ottum - The Easy Way Out amazon==”http://www.amazon.com/exec/obidos/ASIN/B000JJS806/aurgasm-20″> + Purchase/Visit

folk-dub // future jazz // downtempo Exquisitely produced by members of Boozoo Bajou and Trio Elétrico, Katharina März’s Rainwatcher elicits a soothing, intimate, laid-back and summerly fun affinity. Her airy voice is fondly wrapped in a spectral muse of endearing sounds; every moment tinged with a wondrous array of instruments that accentuate each feeling, lyric, and breath. Acoustic and steel guitars, vibraphone, piano, organ and accordion are a few of what you’ll hear, guiding gracefully as she woos and imbues your complete sensation amidst an enchanting wonderland.

Summerly warm, bubbly and smooth. Trinah - Sugary Pleasure download this cd

french vocal // soft soul From the very first track of her debut album Jusqu’aux Oreilles (2008), Quebec native Amylie enchants the listener with her soft-toned and subtle sound. The soulful vibes of “Espace” evoke similarities with critically acclaimed Les Nubiennes’ Princesses Nubiennes, while its lush instrumentation and clean hypnotic production reminds the sound of Zero 7. Catchy, uptempo and playful “Mes Oreilles” brings to mind the debut album of French chanteuse Camille. Fresh, sweet-sounding and vibrant. Amylie - Espace Amylie - Mes Oreilles + Purchase/Visit

punk-pop // dance There’s no denying the exhilarating, rambunctious joy set free by Brooklyn darlings Matt & Kim. An old west, saloon piano intro jump-starts this song and never lets go; quickly flurried with rousing synths and a thumping beat that blasts through walls like Mr Kool-Aid. From lazy days in bed to cherished moments found almost anywhere, this is exactly the kind of exuberant grandeur I am oh-so curiously seeking throughout life. Hopefully they make you smile and remind you to hold nothing back, because anything his possible. Yeah!

Shock waves of keyboard & drum jubilee! Matt & Kim - Daylight buy this cd